Glad I've hung on to it for 40 plus years. Based on the history of the company and the guitars that I've read online, mine must be among the first made. Most of what I've read indicates that the wasn't put into production until and I know I bought mine in the summer of I still have it and it's in pristine condition after 51 years! I played it a lot for close to 10 years, then "life" got in the way.
Have started to play it again since retiring a little over a year ago and I'm surprised at how well it plays. I think the neck may need to be pressed so a visit to my favorite luthier is next on the list.
I picked up a Univox semi-hollow six string with the number Where can I find more information about this guitar? It was set up for lead guitar, bass or PA use, with two guitar inputs, two bass inputs and two mixer inputs. Its watts were obtained with eight tubes — four s, two 12AU7s and two 12AX7s. It had two volume and a master gain controls plus bass, middle, treble and presence controls. Power on and separate standby switches. Four speaker output jacks. For a little extra punch, you could throw a hi-boost switch, too.
The UX guitar cabinet was a watter. The Minimax was designed for use with bass, organ, electric piano or guitar, but really was a bass combo amp. The back-mounted chassis had two channels with high and low inputs, plus volume, bass and treble controls for each channel. The U Bass Amplifier pumped out watts with five inputs covering two channels high and low each and one input that bridged both channels.
Channel 2 had volume, bass and treble controls. Both channels had master volumes, plus two, four or eight-ohm output. While other Univox brand amps may have existed during this period, these are the only ones on our radar scope. Early Univox electric guitars and basses The precise chronology of the earliest Univox guitars is likewise uncertain. Based on the evidence of the logo on the amplifier, we suspect Univox guitars with the plastic logo debuted at about the same time.
By , Univox was employing decal logos on some models, further corroborating this conclusion. If this assumption is correct, it would suggest that among the first Univox guitar was the Mosrite copy known later as the Hi Flyer, debuting in around The Hi Flyer was a thin-bodied reverse Strat-type with a German carve around the top, almost always seen in sunburst.
This was identical to the Aria T. The bolt-on neck had a three-and-three castle head, plastic logo, string retainer bar, zero fret, fret rosewood with large dot inlays. A white-black-white pickguard carried volume, tone and three-way. Two black-covered single-coil pickups were top-mounted, the neck slanted back like on a Mosrite, with six flat non-adjustable exposed poles in the center.
An adjustable finetune bridge with round saddles sat in front of a Jazzmaster-style vibrato. The plastic logo was still in use in , though gone was the string retainer, replaced by a pair of little string trees.
Also, at some point the pickups were changed to the distinctive twin-coil humbuckers with metal sides and a see-through pink insert on top. This was a hollowbody with no f-holes, Cremona brown finish, single neck pickup, bolt-on neck with position dots along the top of the fret bound rosewood fingerboard. Controls were volume and tone.
A little elevated pickguard sat on the upper treble bout. The earliest examples of these had the little plastic logo on the head. The head was a strange, long thing with a concave scoop on top, and the plastic logo. Perhaps the coolest feature of this strange guitar is a string version of the square vibrato system employed on Aria guitars of this era.
You can pretty much assume that if there was a strange-shaped solidbody string Univox, it was not the only model! Aria and Univox Les Paul copies began to hit the U. The headstock was a copy of the Gibson open book. Controls were standard three-way with two volumes and tones. The knobs were those tall, skinny gold kind seen on many early Japanese copies. Hardware was gold-plated.
The Japanese copy juggernaut got off to a fast start, and the second major Univox guitar was the Lucy, a lucite copy of the Ampeg Dan Armstrong, again produced by Arai, introduced in This guitar had a surprisingly thin bolt-on neck especially compared to the Ampeg original and a slightly smaller body.
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